Last night we watched the movie Korkoro which means freedom in Romania. The 2009 movie was a tribute to those killed in the Porajamos, the Romani Holocaust. Set during World War II in rural Vichy France, the film begins with a nine year old French boy, Claude (Mathias Laliberté) escaping from an orphanage, deciding not to stay confined under state protection for the rest of his childhood. He then comes across a Romani caravan, consisting of an extended family of 20 men, women and children, who decide to adopt this orphaned boy. The Romani start calling Claude, Korkoro, the free one. Claude too gets fascinated by their nomadic lifestyle and decides to stay with them.
The caravan sets up camp outside a small wine-growing village, hoping to find seasonal work in the vineyards and a place to sell their wares. The village, as was the trend, is divided into two factions—one welcomes the Romanies, and the other sees them as an intrusion. Théodore Rosier (Marc Lavoine), the village mayor and veterinarian, and Mademoiselle Lundi (Marie-Josée Croze), a school teacher and clerk in city hall, are two of the friendlier villagers. The Vichy France gendarmerie used the documentation made in the passports of its citizens to monitor their movements for which a threshold was set, along with imprisonment for violations This adversely affected the Romanies. Lundi uses her powers as a clerk, and forges their passports, removing the documentation about their movements.
Later, when Rosier has an accident outside the village, he is rescued by the Romanies, who treat the mayor with their traditional healing practices. Rosier returns the favour by selling them his father's house, in a move to protect them from the Fascist policy of imprisoning the homeless. Lundi decides to provide formal education for the children by enrolling them in her school. However, these friendly gestures are not well-received by the freedom-loving Romanies, who regard life in a fixed place and formal education with rules as little better than imprisonment.
Eventually when the Nazis arrive, Rosier and Lundi are revealed to be members of the French Resistance which leads to their arrest and torture. The Nazis round up the Romanies who are then sent to concentration camps. Claude, then cared for by Rosier chooses to go with the Romanies.
The caravan sets up camp outside a small wine-growing village, hoping to find seasonal work in the vineyards and a place to sell their wares. The village, as was the trend, is divided into two factions—one welcomes the Romanies, and the other sees them as an intrusion. Théodore Rosier (Marc Lavoine), the village mayor and veterinarian, and Mademoiselle Lundi (Marie-Josée Croze), a school teacher and clerk in city hall, are two of the friendlier villagers. The Vichy France gendarmerie used the documentation made in the passports of its citizens to monitor their movements for which a threshold was set, along with imprisonment for violations This adversely affected the Romanies. Lundi uses her powers as a clerk, and forges their passports, removing the documentation about their movements.
Later, when Rosier has an accident outside the village, he is rescued by the Romanies, who treat the mayor with their traditional healing practices. Rosier returns the favour by selling them his father's house, in a move to protect them from the Fascist policy of imprisoning the homeless. Lundi decides to provide formal education for the children by enrolling them in her school. However, these friendly gestures are not well-received by the freedom-loving Romanies, who regard life in a fixed place and formal education with rules as little better than imprisonment.
Eventually when the Nazis arrive, Rosier and Lundi are revealed to be members of the French Resistance which leads to their arrest and torture. The Nazis round up the Romanies who are then sent to concentration camps. Claude, then cared for by Rosier chooses to go with the Romanies.
Although this movie is from another time and place it still can cause a present day audience to ponder on whether we as a society and/or individuals embrace or condemn diversity.
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